`景观` is deeply tied to the Chinese aesthetic appreciation for the environment, both natural and man-made. For millennia, Chinese culture has emphasized finding harmony (和谐, héxié) between humanity and nature, a principle reflected in its art and architecture.
Landscape Painting & Gardens: The concept is central to traditional landscape painting (山水画, shānshuǐhuà), which doesn't just replicate a view but captures its spirit. It's also the guiding principle behind the design of classical Chinese gardens (园林, yuánlín). These gardens are not simply collections of plants; they are miniature worlds, meticulously crafted landscapes with carefully constructed viewpoints, winding paths, and a balance of elements (rock, water, plants, buildings) designed to create a series of pleasing `景观`.
Comparison to “Landscape”: In Western culture, “landscape” can sometimes evoke images of vast, untouched wilderness, a nature separate from humanity. While `景观` can refer to this, it's more often associated with a space where nature and human elements are thoughtfully integrated. The `观` (observation) component implies a human perspective is inherent to the concept. It's a landscape shaped by, or at least appreciated through, a human lens. A jagged, “wild” mountain might be considered beautiful, but a Chinese garden designer might see its potential to be part of a more harmonious `景观` by adding a pavilion at the perfect viewing spot.